October 11-14, 1974: My Mom Visits Me in Chicago | |
May 27-28, 1974: A Weekend with the O'Brians in Indianapolis | |
Return to Index for 1974 |
I gave the bank my two-week notice on April 29, and spent two weeks making sure that there would be a smooth transition in the EDP-Audit section. My last day at the bank was Friday May 10. I went out to lunch with my friends from the bank, and by the end of the day had boxed up all my stuff. I actually began work for Cullinane on May 15, as planned. (Between Friday and Wednesday the 15th, I was technically unemployed.)
Early that morning, in what turned out to be a harbinger of my work at Cullinane, I met Ted at O’Hare airport and the two of us flew to Baltimore, where he was installing EDP-AUDITOR at Mercantile Bank. We spent three days there, and I learned a lot more about the system, and taught some of the class under Ted's guidance. I thought it was really neat to fly First Class and eat in great restaurants. I still do. For the next two weeks, I also went places with Ted- Rochester, New York, and South Bend, Indiana. I caught on to the class quickly and liked the teaching.
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Flights overseas, when they started to happen, were an entirely different matter. But it became very common for me to head to the airport on Sunday and return on Wednesday or Thursday or, in some cases, Friday. This time, I flew to La Guardia Airport on Long Island. A we came in over Manhattan, I took my first two pictures of the city- and you will recognize some of the landmarks:
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We arrived at La Guardia about 9PM, and by ten-thirty I was checking in to the hotel that Jim Baker was staying at- the Seymour Hotel on West 45th Street.
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At the turn of the last century the blocks between Fifth and Sixth Avenues in midtown saw the advent of high-end residential hotels and exclusive clubs as once-fashionable residences one-by-one were demolished or converted for business purposes. One of the first, the Royalton Hotel for well-heeled bachelors, was erected in 1898 spanning the block from 44th to 45th Streets. One site, 44 West 45th was sold in 1901, and in July of that year the New York Times reported that "The site will be improved with a twelve-story apartment hotel."
By August of the following year the Seymour Hotel was nearly ready for occupancy- touted as "fireproof" and "positively exclusive"- and marketed to everyone, including well-to-do families. The Beaux Arts building was constructed of red brick with limestone trim, sitting on a two-story rusticated limestone base. The main 45th Street entrance was framed in a dramatic limestone portico above a set of three stone steps, and a sumptuous balcony stretched the wide of the structure at the 10th floor.
The Seymour was, until World War II, a fashionable place to live- as evidenced by the fact that five or six major jewelry heists occurred. But after the war, the numerous magnificent midtown hotels suffered as new, modern hotels and apartment buildings left them dowdy and somewhat seedy- as it was the first time I stayed here.
One thing that made it uniquely interesting, though, was the story that some of us at Cullinane eventually uncovered. Those of us who followed Jim's lead and stayed here had always noticed the drab, dour characters in suits who were often sitting in the large lobby reading or just watching. I forget to first told me, but apparently the Seymour was one of the few places in New York where Russians in the city on business were directed to stay, and these "gentlemen" in the lobby were actually in surveillance roles.
Before we take a look at the pictures I took on the various outings I made around the city, I want to say something about the trip I took out to Long Island one evening.
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I was certainly up for that, and so one evening I met him at the appointed place where he helped me buy a ticket to Farmingdale and back, and together we got on the train. Sal is one of the many thousands of New York commuters who are always on the same train into the city and back home again. In fact, Sal always meets the same three other guys on the train every evening, and they play cards on their way home. I was introduced, and watched them play for about an hour until the train pulled into the station serving Farmingdale. Sal lives closest-in of the four guys, so he's the first to get off. My aunt Natalie picks him up at the station, just as hundreds of other wives and kids do every weekday evening. It's all very organized and a huge routine for everyone.
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I should also have taken more pictures, if only to show my Mom sometime later. My problem is that I tend to concentrate on scenery, rather than people, but I have come to learn that it's the people that make the pictures meaningful. A picture of the Grand Canyon is great, but a picture of you and/or your friends standing beside it what really brings back the memories. I suppose it is because I am usually by myself when I am taking pictures and I, myself, am in hardly any of them (and there isn't always an obliging stranger to help you out).
Anyway, I had a really nice visit with my Aunt and Uncle and a nice supper as well. About nine-thirty Sal took me back to the train station for me to catch a late train back into the city.
NOTE:
This would not be the last time I would see Uncle Sal and Aunt Natalie. Many years from now, Fred and I (you'll meet Fred in 1992) will go through New York City on our way to Copenhagen, Barcelona, and a cruise back to the United States across the Atlantic. At that time, we'll have a car, and I'll drive us back to Nancy Drive, where we'll have supper once again. Sal will be retired by then, and will also be an amateur artist. The kids will be grown, with kids of their own.
I took every chance I could to get out at lunchtime and in the early evenings to see as much as I could of New York City. Our workday was usually only until four-thirty and, because it was June, the days were fairly long, so I got in quite a bit of sightseeing time. So how best to show the pictures here? Although there are quite a few of them, probably the best way is to simply put the pictures right on this page with some narrative below or beside each of them. I will also supplement the pictures with aerial views of Manhattan to try to show you where I was when the pictures were taken. This will only be moderately useful, as New York City has changed significantly, of course, in the 45 years between when the pictures were taken and today, in 2019, when I am using my pictures and old narrative to create this album page. If you've been to New York City before, you might find the comparisons between then and now to be of interest.
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What you can see is that there are a number of new skyscrapers all along both sides of Fifth Avenue now that weren't there then. In fact, the picture at left would be impossible today, as these new tall buildings would pretty much obscure the Empire State Building- at least from this vantage point. The one that would most block the view is just to the south of the New York Public Library.
From 44th Street, I headed south on Fifth Avenue towards the Empire State Building.
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The Main Branch was built after the New York Public Library was formed as a combination of two libraries in the late 1890s. The site, along Fifth Avenue between 40th and 42nd Streets, is located directly east of Bryant Park, on the site of the Croton Reservoir. The architectural firm Carrère and Hastings constructed the structure in the Beaux-Arts style, and the structure opened on May 23, 1911.
The marble facade of the building contains ornate detailing, and the Fifth Avenue entrance is flanked by a pair of stone lions that serve as the library's icon. The interior of the building contains the Main Reading Room, a space measuring 78 by 297 feet with a 52-foot-high ceiling; a Public Catalog Room; and various reading rooms, offices, and art exhibitions.
The Main Branch became popular after its opening, and saw 4 million annual visitors by the 1920s. In the 1960s, the Library began to outgrow its space, and in 1970 both the circulating functions and the Children's Library were moved to the nearby Mid-Manhattan Library, and the Main Branch became a research library and a use-on-site facility.
I continued walking south on the east side of Fifth Avenue, past the Library (which actually occupies two blocks north to south between 42nd and 40th Streets) and on down the avenue towards 34th Street.
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I continued south on Fifth Avenue, and then turned west onto 34th Street. The Empire State Building is on the south side of 34th Street, so I crossed over and went into the lobby. There, I found the special elevator that takes one up to the open-air observation platform.
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(Incidentally, I'd read that the lines to get up to the observation deck (lines to get into the building, lines to buy tickets, lines for the elevator, and lines to get out onto the deck itself) can be quite long, so I was prepared to have to wait a while, but as luck would have it the line length was minimal this afternoon, and it only took me thirty minutes from when I entered the building until I was stepping out onto the observation deck.)
The site of the Empire State Building was originally part of an early 18th-century farm, then became the site of the Waldorf–Astoria Hotel in 1893. In 1929, Empire State Inc. acquired the site and began the design process, changing it fifteen times to guarantee that it would be the world's tallest building. Construction started on March 17, 1930, and the building opened thirteen and a half months afterward on May 1, 1931. Despite the publicity surrounding the building's construction, its owners failed to make a profit until the early 1950s. However, since its opening, the building's Art Deco architecture and open-air observation deck have made it a popular attraction. The Empire State Building is an American cultural icon and has been featured in more than 250 TV shows and movies since the film King Kong was released in 1933. A symbol of New York City, the tower has been named as one of the Seven Wonders of the Modern World by the American Society of Civil Engineers.
So what about the views? Well, to put it mildly, they were fantastic. I've already been up in the Sears Tower and the Hancock Building, but, big as it is, Chicago isn't New York City, and seeing so many other iconic buildings and landmarks from here was simply amazing.
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Finally, let's come back around to the north side of the observation deck and complete our 360° photo montage:
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From the Empire State Building, I walked generally eastward so I could get to see the United Nations on the East River. I crossed Park Avenue on my way east.
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My first question was whether Park Avenue went under both of the structures, but a quick analysis (confirmed later) was that this would have been impossible, as the complex network of rail lines below the station would have made that impossible. Instead, an elevated street known as The Park Avenue Viaduct (or Pershing Square Viaduct), which carries Park Avenue from East 40th to 46th Streets around Grand Central Terminal and the Pan Am Building, then through the Helmsley Building (picture coming up); all three buildings lie across the line of the avenue.
Grand Central is a commuter rail terminal- the southern terminus of the Metro-North Railroad's Harlem, Hudson and New Haven Lines, which serve the northern parts of the New York metropolitan area. It also contains a connection to the New York City Subway and is the third-busiest train station in North America, after New York Penn Station and Toronto Union Station.
The Pan Am Building is a 59-story skyscraper at 200 Park Avenue at East 45th Street above Grand Central Terminal. The skyscraper is one of New York City's most recognizable structures; built in 1960–63 it is the headquarters of Pan American World Airways. It is one of the most famous buildings designed by the famous architect Walter Gropius in the International style. The world's largest commercial office space by square footage at its opening, it is one of the tallest buildings in the country.
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The lot where the building stands is considered United Nations territory, although it remains part of the United States. It was the first skyscraper in New York City to use a curtain wall- where the outer walls are not load-bearing, that function performed by an internal steel structure and core. In the nearground is the Dag Hammarskjöld Library, built in the 1950s with a grant from the Ford Foundation. The low building north of the library is, the General Assembly Building, housing the United Nations General Assembly; its General Assembly Hall has a seating capacity of 1,800 and at 165 ft by 115 ft, it is the largest room in the complex. I would guess that you have seen the interior of this hall before, and since I didn't go inside myself today, I won't bother describing it.
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Another walk I took was from the Seymour Hotel kind of northeast over to Central Park.
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It's not easy to describe Fifth Avenue alongside Central Park. The closest thing Chicago has is perhaps North Avenue at the south end of Lincoln Park, but I can only imagine that the cost to live here, with the park access and views, is astronomical.
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From the Guggenheim, I headed back south along Fifth Avenue, once again past the Metropolitan. That's where I took this picture of a street person (at least I assumed that's who he was) sleeping outside the museum. And a block or so south, I peeked down one of the streets leading east from Fifth Avenue. These are all residential streets, although the prime addresses are in the east 80s and 90s. This, I believe, is a view looking down 79th Street.
I crossed through Central Park at 65th Street to arrive at the west side of the park on Central Park West, the avenue that borders the west side of the park as Fifth Avenue borders the east. I continued west a few blocks through an area of old but fashionable brownstones to come to Lincoln Center.
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In that picture of Avery Fisher Hall, you can see the Revson Fountain in front. It is named for Charles Revson, of the family that began and still runs Revlon cosmetics. The fountain's been featured in a number of movies, one of which I saw in the theatre last year- (Godspell).
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The picture at right, taken from Columbus Circle, looks eastward along 59th Street, which is the southern boundary of Central Park. The Essex House Hotel is in that row of buildings, and in the distance you can see the distinctive white vertical lines of the General Motors Building. That building is a 50-story office tower and is one of the few structures in Manhattan to occupy a full city block. Also in that picture, you can see the southwest corner entrance to Central park where the USS Maine National Monument is located. The monument was cast in 1912 and dedicated in 1913 to the men killed aboard the USS Maine when the ship exploded in Havana harbor in 1898.
On this particular walk, I took one more picture as I was walking back to the Seymour Hotel. It is a picture taken a block or two south of Columbus Circle, and it is looking down Broadway towards Times Square.
On one other evening, I decided to head downtown to the World Trade Center, the Financial District, and Battery Park. There was some threatening weather this evening, but eventually it cleared up.
The Twin Towers |
I'm creating this page in 2019, but I wrote the narrative for my slides a couple of months after my trip to New York City, and I've been expanding on that narrative as I've created this page. But now, I am going to include, without any modification, the narrative I wrote in July or August, 1974, for these two pictures: "I took a walk all the way down Broadway to the World Trade Center. It was not finished at the time, and I had to convince a guard that all I wanted to do was take pictures, not bomb the place. Even though I know that the Sears Tower is taller than these two structures, they appear to be higher, probably because there are not any step-backs to destroy the illusion of great height. They are really neat buildings- I think the handsomest in the city."
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Looking Up |
I suppose the most people will understand why the narrative I actually wrote in 1974 when I saw the Twin Towers turned out to be a bit prophetic, and why I included it verbatim.
One of the interesting things about being this far back in creating my online album pages is that I know now more and more about the future of some of the places and people that I visited or knew back then, and it is tough not to amplify my original narrative too much. I certainly don't see anything wrong in identifying now, for example, the buildings or places or people I photographed back then, when I didn't have the knowledge or the time to identify them. For example, I've referred to the Pan Am Building on this page, because that is what my narrative called it back then. But if a young New Yorker were to look at this page today, she might think I'd misidentified the MetLife Building, and she might not even know what "Pan Am" refers to. But while I sometimes take the time to say a bit about what the future holds for people and places, I simply can't do that all the time.
The Twin Towers are one such example. I saw them for the first time on this trip, and on a subsequent trip to New York City I went to the top of the North Tower to the Observation Deck. But on neither this page nor that one have I said anything about what the future held for those buildings. I was tempted, when I went to the top of the Empire State Building, and identified it as New York City's tallest building until the topping out of Tower 1, to say that the Empire State Building would hold the title again and then lose it again- and again lose it to the World Trade Center. These are the kind of oddities that occur frequently, now that I am creating album pages for forty years ago with the knowledge we have today.
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Nearby (see picture above, right) I found St. Paul's Chapel, nicknamed "The Little Chapel That Stood". This Episcopal chapel is located at 209 Broadway, between Fulton Street and Vesey Street. Built in 1766, it is the oldest surviving church building in Manhattan, and one of the nation's finest examples of Late Georgian church architecture. It is a New York City Landmark and a National Historic Landmark.
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Anchored by Wall Street, New York City has been called both the most economically powerful city and the leading financial center of the world, and the city is home to the world's two largest stock exchanges by total market capitalization, the New York Stock Exchange and NASDAQ. Several other major exchanges have or had headquarters in the Wall Street area, including the New York Mercantile Exchange, the New York Board of Trade, and the American Stock Exchange.
Halfway down the left side of Wall Street in my picture is the New York Stock Exchange. The New York Stock Exchange (nicknamed "The Big Board") is an American stock exchange located at 11 Wall Street. It is by far the world's largest stock exchange by market capitalization of its listed companies. The average daily trading value can reach the high tens of billions in a single day.
The trading floor, of which I am sure you have seen pictures, is located in the Greek Revival building in my picture, and is actually composed of 21 rooms used for the facilitation of trading. Had I been here early in the day, it would have been interesting to take a tour and see the actual trading floor. But now, near 7:30 in the evening, Wall Street is a ghost town, as the trading day, around which the life of this street revolved, ended four hours ago. There are probably still people in some of the nearby offices finishing up the recording of the day's activity, but most everybody else has long since departed for home.
I found myself at Battery Park as the weather got more threatening, but as this was my last evening in New York City, I thought that I would go ahead and take one of the tourist boats that go back and forth to the Statue of Liberty.
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As the ferry approached Bedloe's Island to dock for the Statue of Liberty, I made the decision not to debark, as it was actually beginning to rain lightly and I had no umbrella. (Had I known that the shower would have ended relatively quickly, I might have gotten off anyway, but I thought I should save the statue for a return trip and better weather.
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The figure of Libertas, a robed Roman liberty goddess, holds a torch above her head with her right hand, and in her left hand carries a tabula ansata inscribed in Roman numerals with "JULY IV MDCCLXXVI" (July 4, 1776). A broken shackle and chain lie at her feet as she walks forward, commemorating the recent national abolition of slavery. The statue became an icon of freedom and of the United States, and a welcoming sight to immigrants arriving from abroad.
Bartholdi was inspired by a French law professor and politician, Édouard René de Laboulaye, who is said to have commented in 1865 that any monument raised to U.S. independence would properly be a joint project of the French and U.S. peoples. He proposed that the French finance the statue and the U.S. provide the site and build the pedestal. Bartholdi completed the head and the torch-bearing arm before the statue was fully designed, and these pieces were exhibited for publicity at international expositions. American fund-raising proved difficult until publisher Joseph Pulitzer started a drive for donations to finish the project. The statue was built in France, shipped overseas in crates, and assembled on the completed pedestal. Its completion was marked by New York's first ticker-tape parade and a dedication ceremony presided over by President Grover Cleveland.
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The statue was administered by the United States Lighthouse Board until 1901 and then by the Department of War; since 1933 it has been maintained by the National Park Service as part of the Statue of Liberty National Monument. Public access to the balcony around the torch has been barred since 1916.
Even though the weather was bad, and my pictures not as good as they might have been, taking the ferry ride was a good decision, and I was happy to get the pictures I did- pictures you can only get from out in the middle of New York Harbor.
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I thought the ferry ride was well worth it, even on a day like today. When I disembarked at Battery Park, I decided to go ahead and walk back to the Seymour- some sixty short blocks north. On the way, I took my final two pictures on this trip to New York City:
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I enjoyed my first trip to New York City immensely. It was very interesting to see in person many of the sights and places that I'd read about or seen on TV or in movies. As it would turn out, this would just be the very first of many, many trips to the city, and I would get to see much more if it over time.
You can use the links below to continue to another photo album page.
October 11-14, 1974: My Mom Visits Me in Chicago | |
May 27-28, 1974: A Weekend with the O'Brians in Indianapolis | |
Return to Index for 1974 |